![]() The creation of a DDP file allows you to set the order of your songs, manage the gap between each track, and set any cross fades and start and end points of your music. It stands for Disc Description Protocol and is essentially the entire contents of your CD in one digital file. specifically for the use of sending music to CD manufacturers. ![]() No matter how you deliver your files, it’s imperative that you triple check the master copy for errors before proceeding with production.Ī DDP file is a file type developed by DCA Inc. ![]() However this does run the risk of your songs ending up in the wrong order or with weird spacing between each track. Some companies will accept regular wav files and create your master disc or DDP file for an additional fee. In most cases, your CD pressing company will either require a master disc in the form of a Red Book Audio CD or a DDP file in order to create your finished CDs. Knowing this in advance will allow you to ensure you are asking for the correct file types and deliverable formats from your mastering engineer from the beginning and avoid having to spend unnecessary time and money to retrieve your files in the required format later down the line. If possible, I recommend making first contact early on in your production process to get a quote and find out exactly what is required from your band right down to the deliverables and file types. Once you’ve made the decision that is right for your band, it’s time to engage with your pressing company. It is, however, important to bear this in mind when choosing what option is right for you. This is a rare occurrence, though, and most people have never experienced any issues, despite it being a popular option when it comes to CD pressing. The general consensus is that both of these options will produce equally great sound quality, however, duplication can be known to have playback issues with some systems, particularly the older models. This option is particularly popular with independent bands, self releases, demo’s, and smaller runs of 50 – 300 discs. It involves taking blank recordable discs and burning the data on to those discs with a laser. The turn-around time for replication does vary depending on your manufacturer and the required quantity, however, in most cases, it will be in excess of 10 days.ĭuplication on the other hand is a much faster process, often spanning from 4 – 9 days depending on your packaging specifications. This option is typically preferred for larger quantities of 500 plus CDs and is what you would normally find used for retail quality discs and mass produced commercial releases. That glass master is then used to create each subsequent copy from scratch, starting with the polycarbonate base, then the metallic reflective layer and finally adding the lacquer coating, resulting in your finished disc. It involves creating a glass master using a special chemical coating. You can think of it as a recreation of your CD from the ground up, hundreds of times over. The process of replication is just as it sounds, the literal replication of your CD. To put it simply, these two terms refer to the way in which your CDs are made and which option you choose for your production will greatly depend on your bands needs, budget, and time frame. You’ve probably heard these terms before, but you may be unsure what they actually mean. There are two options to choose from when pressing your CDs replication and duplication. In this article I will be talking you through the different options available when pressing your CDs and what they are suitable for, as well as how to ensure a smooth CD pressing experience and what files to ask for from your mastering engineer. There are a few things you need to know before pressing your CDs and while it’s generally not too complicated to grasp, some people do struggle with choosing the right options for their needs. You may be thinking that you can deal with all that when the time comes, but trust me, having a plan in place early could really save you some trouble later down the line. Don’t get me wrong, I know the thought of physically holding your CDs has probably run through your mind a multitude of times, but I’m talking about the actual process of pressing your CDs and what is required to get this done. In my experience, CD pressing is one of the last things on the mind of a new recording artist. Chances are you’ve put a lot of thought and planning into the production of your CD, but how much thought have you put into the actual pressing of the CDs? Are you a band or musician planning on releasing your first CD? Perhaps you’ve already started recording, or maybe you’re brainstorming an insane concept artwork for your album.
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